Still trying to take what I've learned from Force: Dynamic Life Drawing For Animators and trying to push fluid movement by drawing through the forms to carry the 'ski slope' rhythm and working with straight/curved shapes. I try to get a good stack of sketches to work with first, so I can skim the cream of the crop, even if it is more work arranging them in puzzle-piece compositions. Currently keeping the sketching going as much as possible in between writing covers letters for any range of graphic design/illustration work.
Now that I can settle down in the city for a while, I've taken up the figure drawing flagship for better or worse. I'd like to become more comfortable and confident just using pencil, but I've found that playing around with a thick graphite stick has helped me to loosen up doing gestures. To help me improve I've borrowed "Force: Dynamic Life Drawing For Animators" by Michael D. Mettesi from Sho, which is currently blowing my mind.